Sometimes you miss an article that you later find and think: “Hmmm, this looks tasty”. I’ve just had such an episode, discovering and then reading ‘A sonic postcard from the past’ from The Guardian in early June:

In quiet corners of the British Isles, a strange kind of nostalgic music is prospering. Some of it summons up disused railway tracks and endless childhood summers through guitar drones, samples and field recordings…

…begins the article. They had me at the ‘endless childhood summers through guitar drones’ bit. The article goes on to discuss how a bunch of like-minded artists are making music inspired by concrete precincts and old ordnance survey maps. In other words, the best bits of geography.

The piece refers to a bunch of artists who often hail from the West Midlands and who make music that recalls all the best bits of the last 30-odd years of UK music. Basically we’re talking about my musical bag: Brian Eno’s ambience, shoegazing and 80s indie pop.

I’ve been listening to two of the main protagonists for a while, namely Epic45 and July Skies – both of whom rely on the skills of Anthony Harding. I’ve seen both acts associated with shogazing and post rock, but not Psychogeography – which according to The Guardian: “is the study of the spooky effects of the geographical environment on individuals”.

But whatever the ‘tag’, I like the sentimental mix of geography, guitar drones and the West Midlands.